Nicolas Galeazzi uses performance as an instrument for research. The cross over through media, methodologies, materials and theories - working as actor, teacher, theater director, concept artist, and performance artist - provoked the need to search for a rethinking the economies of artistic practices and to develop new models for collaboration and dissemination of senses. Galeazzi works with Mise-en-Discourse - performative research frameworks where public can experiment with political and social conditions. Today he is focusing on the reorganisation of the self towards the society, on side-effects as an artistic practice, and Bricolage as a spiritual ideology. He is mentor and program coordinator of the post-master artistic research environment [a.pass] advanced performance and scenography studies in Brussels.